Threads Through Menopause

Stories through the centuries

Commissioned by Warwickshire Libraries, Menopause Knowledge and Escape Arts hosted workshops to create art responding to the topic of menopause. Combining living women’s experiences, and heritage research, the material created a powerful expression of a life stage that is under-discussed.

Health & Wellbeing

“People come in for the first time and just go bleugh, you know, this is what’s happening … and there’s a huge range of experiences.”

Menopause is not a monolith. Although participants and researchers have found common threads, there is no singular experience. We have attempted to build a well-rounded picture of this life stage through anecdotal evidence from contemporary accounts and historical research.

The menopause journey can be emotional, and the struggles compounded by dismissive attitudes. When they raised concerns, modern participants shared that they’d been told to ‘grin and bear it,’ ‘get on with it’ or ‘take some time off.’

“When I saw the diagram of the womb and the fallopian tubes, and we’d all already talked about what we want to portray as our experience of the menopause, I was thinking about anger … and part of it was the medical services.”

Would doctors of earlier eras have been any more sympathetic with their patients struggling with menopausal symptoms? The Shakespeare Birthplace Trust has explored the work undertaken by Dr John Hall in this field. A son-in-law of William Shakespeare, Hall was a notable physician in Stratford-upon-Avon in the early 17th century. His casebook includes ingredients for remedies, including menstrual care, and the gardeners at the Trust have used this as a guide to create a medicinal garden at Hall’s Croft, the home he shared with his wife, Susanna Shakespeare. Plants include Clary Sage, which treated “suffocation of the womb,” and Peony for “uterine passion.”

The consensus about menopause in 17th century medicine was that it was a blockage or disease. Regular menstruation was considered a healthy purge, so its ceasing was considered a negative. The only remedies suggested for the symptoms of menopause were bloodletting or surgery, an attempt to clear any negative build-up that would otherwise be removed in menstruation. This is disappointing, as Dr Hall’s herbal remedies may have been successful in combatting symptoms if he had prescribed these treatments to menopausal patients. Several participants in this project have praised holistic treatment alongside modern medical interventions such as Hormone Replacement Therapy.

 

Although the menopause journey has its challenges, there are plenty of people who describe a more limited impact on their daily lives.

“You just don’t notice it. You’re juggling so many things, you know … and I was one of the lucky ones I suppose.”

“I’m just used to taking cardigans on and off, carrying a fan around with me, you know. In the very hot weather, I take a cool pack to bed with me and, so I’ve found ways through, coping. So, most of the time it’s just a bit of a nuisance, you know. I have adapted to it. That’s what I’ve put on my fan.”

Similarly, there are figures in our historical research whose experience of menopause did not dominate their later years. The celebrated Warwickshire author, George Eliot, was very observant of her own moods and fluctuations in health. She regularly describes her own physical and mental health in her entries, leaving an unusually detailed record. She even went so far as to mark her menstrual cycle in her diary, adding an asterisk by the dates. She marked the date up until the age of 49, when we can assume she entered post-menopause. Eliot passed away at the age of 61, so if menopause had made a major negative impact on her health during her final decade, we would expect to see this reflected in her diary. There is no such shift and her comments on her own health remain fairly balanced, which suggests that her symptoms were manageable.

 

In sharing the wide range of experiences faced by menopausal patients, it is important to acknowledge the more extreme situations, both historically and in the present day.

“A period of intense confusion, compounded by symptoms such as brain fog, memory issues and insomnia. Over the last few years, I have felt increasingly bewildered and lacking in self-confidence, leaving me unsure of who I am.”

“I wasn’t sleeping, I was not working extremely well, I was so tired at work. I lost a relationship … I had a huge bust up at work, as in, I was in a room with my peers – all men – and I’m thinking ‘what the hell are you saying?’ I was not making any sense, and I was absolutely exhausted from not sleeping. I’d lost about 2 stones; I wasn’t eating any more. … And I left that meeting, stormed into my office, picked up my laptop, said to my team, I’m going home. My manager happened to be in the corridor, and I was in floods of tears, ‘I don’t know when I’m coming back.’ And I lied to my daughter for a month, saying I was going. Saying ‘oh I did this at work, I did that’ when I wasn’t leaving my house and I was working 2 or 3 days a week. My GP had put me on adjustments for work, working from home and on reduced hours … as a consequence of this, I was pushed to go off sick in January fully. Five months later I was offered, not a return-to-work interview, it was a redundancy.”

Thankfully, the support available for those who experience such challenging symptoms is growing. This was not the case in the late 19th century. The admissions casebook from the Hatton Asylum lists the reason each patient was admitted. We searched for women whose condition may have been the result of changes caused by menopause. From this emerged Mary Everitt, Sarah Hodgkin, Rosanna Meddows, Elizabeth Clarke, Hannah Keyte and Elizabeth Dudley.

Each of these women were admitted to the asylum between the ages of 45 and 60, and their accounts have several similarities. They are described as being stable, competent and industrious for many years, until a recent and significant change in character. Symptoms include trouble sleeping, irritability, low mood, disinclination to work, and extreme anger or sadness in some cases. Each account also mentions a recent ending of ‘catamenia,’ an historical term for menstruation. Each of these women sadly died in Hatton Asylum. None of them were able to recover from the impact of their menopausal changes.

 

The experiences shared in this project have been moving and powerful, whether describing serious challenges or minor frustrations. Something that many of them had in common was the desire to share a positive message and encourage a hopeful outlook.

“I hope that if you associate with anything in my piece you will draw comfort from that fact that you are not crazy … not alone.”

“I’ve just put a motto on there: ‘your biological clock is ticking away. Be a menopause survivor.’”

“I do feel there is a ‘silver lining’ to the menopause.  I’m learning to embrace my freedom and … I understand how my body is working so much better than at any other point in my life.”

An embroidery of a tree on canvas, with various words and phrases related to health, wellbeing, and self-care written along the branches and roots.
And it has been fantastically transformational, the connections I’ve made through this journey. The women I’ve met, the men as well, the stories I’ve heard, the serendipity of that connection, this connection.
A grey, cloud-shaped stuffed toy embroidered with words including aches, sad, confusion, pains, and doubt, resting above a blue-and-white chequered base embroidered with the question, What's going on?.
As I got to my mid 50's - I seemed to be at the mercy of my emotions and hormones and it made me feel like I was under a cloud constantly. Feeling low, emotional and the aches and pains were really getting me down. However going forward, I do feel there is a 'silver lining' to the menopause. I'm learning to embrace my freedom and am getting myself in the best shape I have probably ever been in physically. I understand how my body is working so much better than at any other point in my life and that is a good thing.
Textile art on a light blue background depicting menopause symptoms and hormone structures, with a folded pink fan in the bottom left corner.
Open and close
Two woven ribbon chains, one in yellow and green and the other in green and red, resting on a white surface.
I made 3 ribbon chains and each piece represents a year in the life of a woman confined to Hatton Asylum for mental illness that we believe was menopause-related. I wanted to show how much of their lives was affected by the challenges associated with menstruation and menopause.
A pink handheld fan open against a blue fabric background decorated with felt shapes and embroidered text about menopause symptoms, with a central patch on the fan reading, I am balanced and peaceful in all changes of cycles.
A fabric art piece titled Hot Flush featuring a hand fan made of fabric panels depicting human bones, set against red and orange layered fabric flames with the word Osteoporosis embroidered at the bottom.
Felt letters spelling DENTISTRY arranged between two lengths of brown zip on a purple spotty fabric.
Yellow fabric embroidered with the words: Thankful, Openness, Escape, alter, transform, metamorphosis, Freedom, Knowledge, relief, change, Ovarian Retirement, discovery, optimism, Transition, and CONVERSATION!.
A textile art piece featuring a purple fabric shape embellished with gold trim and patterns, layered over a mottled purple and black fabric background.
A fabric face mask featuring embroidered words like ANGER, ANXIETY, and CONFUSED on one side, and multicoloured handwritten text on the other, edged with lime green lace.
Embroidered line drawing of a person with a textured, colourful fabric collage for hair, surrounded by the words LOVE, CARE, HOPE, and RESEARCH stitched in colourful thread.
A square fabric collage on mesh featuring embroidered yellow flowers with button centres, dark patterned stitched accents, and a large central yellow question mark.
I have attempted to illustrate some of the confusion and difficulty I have experienced through the jagged 'thorns' in the background and uneven, wandering and fraying threads emanating from and encircling the central question mark. Despite these obstacles, there are areas where I still feel vibrant and blooming, represented by the buds and flowers in the piece. I hope that as I continue through my menopausal journey, the periods of confusion will be replaced by more brightness and a greater sense of finding the true me that remains after the menopause has receded.
Embroidered text on a light pink mesh fabric reads WHO AM I, with the I centred inside a stitched hexagon, surrounded by embroidered question marks and floral shapes.
Over the last few years I have felt increasingly bewildered and lacking in self-confidence, leaving me unsure of who I am. One of my pieces directly references this feeling by asking 'who am I?'
Fabric appliqué of a bull's head with yellow and brown stitching, textured accents, and grey puffs of breath, with the words Raging Bull embroidered in red below.
So when I saw the diagram of the womb and the fallopian tubes, and we’d all already talked about what we want to portray as our experience of the menopause, I was thinking about anger and how I’d felt. And when I looked at it, I could see this shape of a bull and I thought “Right, I’m going to make that into a raging bull” to portray what I felt.
A craft project on a light blue felt base featuring fabric shapes in check and solid colours, embellished with colourful hand-stitched details.
A piece of art with horizontal stripes and red circular patterns, featuring the handwritten text My mind has gone foggy, but the current is lovely, with additional encouraging phrases written in the corners.
A pink fabric collage featuring an embroidered chemical structure and stitched text that reads No Oestrogen, anxiety, poor memory, and loss of libido.
A textile art piece featuring fabric flowers in pink, red, and yellow surrounding a clock face, with embroidered text that reads Your biological clock is ticking.
On there I’ve put “your biological clock is ticking away. Be a menopause survivor.” Because that’s what I felt I was. I think it’s because there was so much going on in my life at the time. As well as, you know, as well as this. I just thought …
A poem titled Me no pause by Hemila Nelson handwritten in dark blue ink on yellow and white checked fabric.
Fabric art depicting a uterus with ribbons labelled Pain, Hot flushes, Cush-gush, Low moods, and Anxiety, with text below reading Surgical menopause, full hysterectomy.
Six names embroidered on green fabric, each followed by their age: Sarah Hodgkin, 46; Hannah Keyte, 47; Mary Everitt, 18; Elizabeth Clarke, 45; Rosanna Meddows, 16; and Elizabeth Dudley, 57.
Names of six Hatton Hospital inmates who we researched for this project. Visiting Warwickshire County Records office in Warwick, a small team of researchers viewed admission records and case books from the late 1800s looking for women who were admitted into the hospital based on symptoms which we recognise as menopause related. We filtered by age and any past history of mental illness and found six women who were admitted to the County Mental Hospital in the 1870s. Five of them never left, but lived out the rest of their lives at Hatton Hospsital. We don't know that they were admitted due to menopause, as it was not a recognised condition at the time, but I wanted to aknowledge these six women, and all the others who have been mistreated and misunderstood due as a result of changes due to hormones.
Embroidery on green mesh fabric showing a seesaw balancing negative emotions like upset and anger on one side against positive words like happy and content on the other.
It's normal to feel confused about menopause. We all know that we need to go to the doctor, but you don't always know what is best for you. I've been to the doctor, but something is telling me that everything is still not right. It's a see-saw. one minute you are up, the next you are down. You'd get good days and bad days. Bad days are brain fog and anxiety. But you also get good days.
Textile art on a check background with red sequinned diagonal lines forming an X over the words JUST GET ON WITH IT! in various colourful patterns.
A fabric appliqué in the shape of a uterus, featuring vibrant, abstract patterns and colours stitched onto a textured tan background.
Fabric scrap featuring embroidered words describing negative emotions including ANGER, ANXIETY, CONFUSED, fear, worry, forgetful, emotional, foggy, and unpredictable over a floral background.
A fabric collage featuring a hand-embroidered recreation of The Scream, a textile flower, a metallic butterfly, and handwritten notes about anxiety and medication.
So when I derailed, and I say the term derailed because I had stopped. I wasn’t sleeping, I was not working extremely well, I was so tired at work. I lost a relationship which has reconnected since then, but at the time I lost it, and I could see the signs, and I wasn’t able to articulate and communicate properly with my partner. I had a huge bust up at work ... And I left that meeting, stormed into my office, picked up my laptop, said to my team, I’m going home. My manager happened to be in the corridor, and I was in floods of tears, ‘I don’t know when I’m coming back.’
Fabric patches shaped like a person and a green fish are stitched onto a canvas printed with a chemical structure diagram.
A textile collage featuring a purple mesh overlay with handwritten words, a central yellow felt strip, and denim hexagonal patches embroidered with text including mood change, anxiety, hair loss, and no more children.
Mixed-media textile art featuring handwritten phrases like Ask for help, Meditate, and Be vulnerable, layered with yellow gingham paper, purple mesh, and embroidered spirals on a cream fabric background.
A hand fan made of pale pink panels, each featuring handwritten text and a corresponding illustration describing temperature sensations and the passage of time.
Most of the time nowadays, it doesn’t bother me that much. I’m just used to taking cardigans on and off, carrying a fan around with me, you know. In the very hot weather, I take a cool pack to bed with me and, so I’ve found ways through, coping. So most of the time it’s just a bit of a nuisance, you know. I have adapted to it. And I, it would be really nice if the hot flushes stopped, I’m still hopeful that they might.
Hand -I'm in absolute agony with joint pains. Imagine the scene - my husband and people don't understand what I am going through. I've always lived with being neurodivergent but it's a gift - a blessing and a curse. But it means I'm so creative. I want to express myself.
Two rectangular fabric tags featuring yellow gingham patterns decorated with colourful hand-drawn letters, sequins, and metallic thread.
A plush, fabric womb-shaped ornament featuring multicoloured tie-dye patterns, purple geometric overlays, and red sequins stitched down the centre.

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Stories shared by participants in the creative workshops